One Million Post

[Expletive]

Lacey can be seen on thesun.co.uk's page three, which makes the UK more awesome than any of us because they get to show boobs in their tabloid papers. Now that's bad ass. If you're depressed, she'll make you feel better. And I'm on 4chan, so Jo, they're always posting guys naked or almost naked, especially pictures of muscular guys showing their dicks. Therefore, i'm going to start downloading them so I can post them here, and they'll be for Jo, mainly, and any dude who is a sick fuck and just wants to get off (that is, if such things get you off.) as well as you gay dudes to, I know you're on this board acting all hard and shit while you're fapping to gay porn. I know you're out there, so there's no need to pretend. I will not though, post dudes getting screwed by other dudes. I do have my standards after all. Traps only.



Some one on /b/ allegedly copied this guys' Facebook before it got dumped (was it dumped, does it matter, do we really give a fuck?). But right there, his favorite shows were Caprica and Stargate Universe
See that shit ya'll SYFY caused this mutha-fucka to kill them there people. Had he his shows still on the air, it is doubtful he would have gone 'ape kill all yous shit'.

Been away for a while, but I'm getting smarter. I'm using the deep net, and it's sort of a let down, unless you like Charles Prescott, but other than that, meh. I'm looking still for illegal activities that can make me money on the side that doesn't involve drugs, because over here, people are getting killed by the butt loads over drugs. So I'm sticking to CP (that's Component Pascal you sick fuck, get your mind outta the gutter) and Assembly. Though being mostly African may main I'm never going to get it. But I'm trying fuckers, I'm trying. then again, i could always sell horseshit as weed to tourist, you lot always fall that shit.

[Expletive]

Light Bill is 1500 bucks, so by next week it'll probably be off. BEC our power company claims we're using less than 134 a month, but our surcharge is almost 300 which means we'll have to pay another bill for 400 plus dollars, plus 200 towards the old bill. I'm looking more and more like old man winter with my afro the way it is, and by beard as grown as it is, and it's white as snow, but i'm only 34, with a few weeks before i'm 35. Stress is a mutha-fucka but millions of yous Americans, and God knows how many others are as bad as me if not worse. We could blame the Republicans, but the Democrats also receives tens of millions yearly from Lobbyist.

The rich here is getting richer, and the Deputy Prime Minister has broken the laws of the Constitution and is essentially making himself tens of million of dollars richer, and his only defense is, the monies made will go towards his kids; well fuck that shit brent, you're a ****** like me what the fuck are you doing, even if you're like, 1/10 ****** (do you have any black in you at all brent?); what about my kids brent simplenet, even though I spill them nightly out of my five inch cock, what about my future kids that won't be spilled on bed sheets on in towels, but instead will be delivered into a wonderful girl's warm cunt?

But here in the Bahamas, we're fucked, crime is out of control because the Politicians shut down all the community policing centres to save all that extra money to focus on the road works which made the Deputy Prime Minister Brent Symonette a hundred million dollars richer. Seriously, I'm not making that shit up, I couldn't try to make up shit like that, because five years ago I would have told you that no one would purposefully fuck the country to make one fucker richer, but surprise surprise, here we are. they claim they're doing this because of some shit plan they had when they were in power last all the way back in 1999. But that was before 911, and the biggest recession since the Great Depression. So they liqudate temperorary worker jobs, and fired even more people they hired temporarely, and sent home thousands of people who had no other income, with bills to pay, and kids to take care of, not to mention a Power company (BEC) who adds hundreds of dollars surcharge to your monthly usage. And to add insult to injury, the road works has destroyed dozens of businesses, and caused the livelihood of hundreds of people, and to add even more insult to injury, most of these road works aren't even finished even after more than a year in most places.
An American chap who purchased Robin's Hood, got screwed because of the Road Works, and when he sought to save his livelihood, they punished him severely using Customs and other agencies, ain't the PM and DPM grand?

But who gives a fuck about the rich white American, I was talking about Crime wasn't I, Yeah You Lot, we're fucked our crime is through the roof. The community centres got fucked to save money, and now because they're gone, criminals has killed around 90 people, since the other murders weren't necessarily anything else than lovers spurned and shit like that, and people fighting and shit. All in all, 109 murders. So i'm begging you lot, I'm a typical scary big bushy beard high unkept hair nigga, who can act fairly well (since I pretend daily not to be out of my mind crazy as a muthafucka), so how about giving me an acting gig as big bad ****** #6 on any film projects you lot are doing.

I'd proof read this shit, but first you'd have to put your grandmama's knickers on your head and shove a carrot up your ass.

[Expletive]

wrote this and posted it on bahamasissues.com, and it is a sucky bit of donkey shit, but i wrote it in almost one sitting, so i call it a masterpiece because it's finished, sort of

By ExpletiveBMP aka JDB


EXT ? Nassau Bahamas ? Bay Street/ Cable Beach Cause Way ? Day


IT?S MID DAY NASSAU TRAFFIC; vehicles of all sorts are making their way down Blue Hill,
To the route out west, or onto the eastern route, we?re following a # 10 bus as it makes its way west.

CUT TO:

A Close Up Of the FADED WHITE JITNEY # 10 as it makes it?s away along its route picking up passengers


EXT/INT ? Nassau Cable Beach ? Jitney #10 - Day

We?re facing the driver just outside his front windshield, sitting next to him is a seasoned white lady.
The driver is facing forward, but his eyes is darting about wildly and he?s sweating profusely, He stops
the bus and Passengers jump on or off, and he doesn?t turn towards them, but automatically reaches for
the fair, and dishes out change as necessary.

CUT TO:
(to be continued)
(continue)

INT ? Jitney # 10 ? Day

We?re looking from the front of the bus at the many passengers; they?re black and white, visitors and
residents. The JITNEY IS PLAYING Jazz, but it sounds as if it?s from an old recording than anything
modern.

CUT TO:

A white Passenger (visitor) who is with his wife suddenly looks up from a Bahamas Handbook he?s
Scanning and is looking towards the front

Passenger
(Shouting Over the noise of the traffic and music)
?Bus Driver, which artist is that, because I?m really digging those tunes man.?

CUT TO:

The Bus Driver?s point of view (of what should be his point since his eyes is presently darting everywhere).
The Bus Driver is approaching the new round about; he?s reaching out his right hand hailing
all his associates and affiliates pacing the pavements on their daily routines, and the driver is pushing
his horn accordingly, acknowledging them.

(to be continued)
(continue)

Bus Driver
(In an unmistakable English Accent our driver responds)
?As luck would have it, I?ve procured an 8-track, and what you?re hearing good sir, is the Artist Cetius a world renowned yachter who went missing some years ago. But you can have it once we?re done here, because I doubt you?ll find any other copies of his music anywhere.?

CUT TO:

The passenger has a puzzled look on his face, which says something doesn?t belong here, regardless

Passenger
?Thank you sir, that?s mighty friendly of you.?

CUT TO:

The white lady next to the Bus Driver, as he speaks, she?s mouthing the words.

Bus Driver
(We?re hearing the Bus Driver?s Pear shaped Tones, but the lady mouths the words)
?That I am; assuredly friendly, and for you and yours, always ?friendly?.?

The lady grins, and her teeth are a hundred pin like daggers, and her exposed mouth is terribly
mawkish: a seeming abyss of jiggered teeth.
(to be continued)
(continue)

EXT ? Cable Beach Roundabout ? Jitney #10 ? Day

THE JITNEY begins its trek around the roundabout, but instead of finding its relative exit,
It goes around and around, the passengers should be alarmed, and would undoubtedly vocalize
their feelings.

CUT TO:
INT ? Jitney #10 ? Day

The Passengers are starting to stand up, and our becoming rowdy, even the original Passenger
and his wife is uncomfortable with this situation. One of the Passengers, a rather large black
guy, a SECURITY OFFICER, makes his way to the front of the bus.

Big Security Guy
(shouting he is, with a grimace on his face)
?Ma bey, what happening bey, Ma Man, what happening bey??

Not big on complex discourses, the Security Officer is about to put his hand on the Bus
Driver, just behind him, many other passengers are raising from their seats; clearly perturbed,
that they?ve circled the Roundabout for the sixth time.

CUT TO:

(to be continued)
(continue)

The white lady and the bus driver are both looking forward (at least Thetis is, the Bus Driver is too busy
crapping himself) Her mouth begins, but a male?s voice with an English accent emerges from the Driver.

Bus Driver/Thetis
?Were I you, I?d find my seat, and hope to avoid Fate?s Teeth. But yea, you?re bold and the daring sort, to care not of reactions your actions has wrought.?

CUT TO:

The passenger/visitor and his wife has ignored the around the Mayberry Bush, and is looking
Incredulously out the windows; a fast moving mist is on the outside and the glass is steaming.
The wife touches the glass and looks to her husband in disbelief and doubt.

Passenger/visitor/wife
?What is this Randy, the glass, it?s cold, what is?.?
The Passenger/Visitor/Wife trails off as the Security Officer has reached the front of the bus, her eyes,
looking forward intently, now has the look of impending doom, her husband puts his arms around her,
their breaths steaming; they start to shiver.
CUT TO:
All the other passengers are experiencing the effects of the cold, and then they look out the window,
some gasp, others shrill, but they?re all troubled, and they start to sit down, something is amiss, and
standing out seems like the last choice to be making.

(to be continued)
(continue)

CUT TO:

EXT ? Cable Beach Roundabout ? Jitney #10 ? Day ? Windy Foggy


Other drivers are at a loss of what?s happening, and those on the Roundabout are smashing into
each other as the visual conditions deteriorates. The Jitney becomes mist like, almost like a mirage.
And all that remain is a bus shaped fluff of cloud/fog that?s moving with the speed and purpose.


INT ? Cable Beach Roundabout ? A Random Car ? Day Windy Foggy
A driver is fighting with his wheel as the wind/fog passes him, and he thinks he hears screams on board
CUT TO:
INT ? Cable Beach Roundabout ? B Random Car ? Day Windy Foggy
B driver is alarmed that he?s smashed into the back of a Mercedes, but just then, the fog/cloud
screams by, or someone(s) scream as they pass in the cloud/fog. The Driver pulls out his cellphone
B Car Driver
?911? Send Police Quick, Cable Beach Roundabout, yeah the one ya?ll waste taxpayer?s money on.?
CUT TO:
INT/EXT? Cable Beach Roundabout ? The Mercedes B Random Car collided with ? Day Windy Foggy
The driver in the Mercedes gets out of his vehicle, ignoring the screaming fog that passes dangerously
close to him, and shouts at the Driver who HITS him, expletives. He returns to his car, and picks up his
(to be continued)
(continue)
phone dialing 911.
Mercedes Driver
?Hello, Yeah, some @$$hole hit my car chief, what ya?ll gonna do about it? What? Some one on the way, well how come they ain?t here yet? Don?t give me that $#!+ chief, anyhow, ya?ll better be here in five minutes, otherwise I Gon sue somebody?s @$$!?
The driver leaves his car again as
CUT TO:
EXT ? Cable Beach Roundabout ? Approaching Big Rig ? Day Wind Foggy
A BIG RIG TRAILER was on the outside of the roundabout for sometime now, and the Driver has unknowingly driven through the corridor of the fluff/fog apparition of the Jitney. But each time
the Trailer drives through it, its paint fades, and it?s aging each time in real time, even rust is noticed on the metal, with each trip through the fog.
INT ? Cable Beach Roundabout ? Big Rig Trailer ? Day Wind Foggy
The Driver looks gaunt, and covered in a pus like mucus, his eyes is white, and his skin is becoming clear.
Pink bile like liquid is pouring from his mouth, and as we switch to his Point of View, he approaches the
fog and passes through it, we switch to an Opposing POV shot and his face melts, thick bits of yellow
and red pours through his nose, as WE Switch back to his point of view and he Happens Upon the
Mercedes Driver.
EXT ? Cable Beach Roundabout ? Mercedes ? Day Wind Foggy
The man is on the outside of his car, calling his wife.
Mercedes Driver
?Yeah honey, some body hit my car, and some thing got the roundabout covered in fog, and it?s cold. Yeah it?s the weirdest **** I?ve ever seen. F**** I wish I took up your offer to eat sum more o? dat sappadilly. Any how baby I gon see you soon, I gon lie and tell them I had the $#!+?s, you know dey---O GOD!?
CUT TO:
(to be continued)
(continue)

EXT ? Cable Beach Roundabout ? Big Rig Trailer ? Day Windy Foggy
The Decrepit Big Rig Plows into the Mercedes Driver, crushing him completely, finally running over his
Head pulverizing it. The Mercedes Driver felt a sudden blow followed by a shot of pain then a sudden
Heat and intense pressure like none other followed by

CUT TO:

INT ? OuterWorld ? Jitney #10 ? Outside Conditions Ghostly

The Security Officer has made his way to the front of the bus; he?s doubly cross now, even as the light on
the outside of the bus disappears, and they?re surrounded by fog, the bus lights turn on, and they?re a
sickly green. The Passengers behind the Bus Driver suddenly grabs their stomachs and mouths as
they?re trying to stave off the overwhelming sense of nauseam. The Security Officer grabs the Bus
Driver

Security Officer
?This $#!+ over bey, you hear me, dis over now. Stop the bus, Stop the BUS!?
(he pulls the Bus Driver from the seat, but the man?s eyes is bloodshot, and he?s scared)
?What going on here??

Thetis finally rises from her seat and turns about, and her face no longer looks human, but resembles
something from the abyss. Terrifying everyone PARTICULARLY our Security Officer
(to be continued)

[Expletive]

i'm using my sister's computer since BEC power surge fucked up my faithful del with all my good shit, and all i could have done was take it's harddrive and shove it in another computer i have that can't get online. ain't life fucking grand.

(continue)

CUT TO:

The Passenger/Visitor and his Wife are holding each other for dear life, even though they?re fighting
the urge to vomit. The Passenger/Visitor/Wife looks to her husband with tears in her eyes. But he
only kisses her head, and holds her with dear compassion and sadness.

Passenger/Visitor/Husband
?I love you, I?ve always loved you, and I?m sorry for convincing you to come here.?

His wife doesn?t respond but only looks into his blue grey eyes that looks green under the light,
and places her head down as she fights the overpowering nausea and terror. Her husband though
braves the fear and looks ahead at the thing standing before the Security officer. Though his wife is
there, just beneath him, the man throws up; the vomit literally traveling upwards towards the
Jitney?s top.

CUT TO:

The Security Officer knows not what is happening, and at this juncture, he doesn?t need to know.
Since, his suffering is imminent, and the way it shall occur will be most heinous. The Security Officer
looking towards the grotesquery that is Thetis, goes to speak, but, as his mouth goes ajar, to utter
a word, or perhaps a plea of mercy, or a call to his god, gods or goddesses; The Savage Thetis Is Upon
Him.
(to be continued)
(continue)

CUT TO:
INT ? OUTERWORLD - Jitney #10 ? Outside Conditions Ghostly

Some of the Passengers watches in horror as the macabre creature straddle the Security Officer
With its teeth embedded in the Officer?s gut. While others overcome with revulsion vomits profusely
as we
CUT TO:

The Guard has his eyes closed as he?s pushing with all of his might against the superhumanly
powerful Thetis. Her mouth tearing digging into his gut, ripping away muscle and meaty flesh and
fat, blood is spurting around the circular maw that is her mouth; the Officer coughs up blood and
screams. He tries to push her head away, but to no avail, she?s held fast, and her maw is jiggering like a
buzz saw deep into his intestines. Her body muscular and black with what could only be called veins and
roots running through her form. Her hair pulsing and moving like snakes, her eyes not typical slits of
something ghastly and evil, but wide and black; almost cuddly and inviting.

CUT TO:

EXT ? OUTERWORLD ?Outside Conditions Ghostly ? In the Heart of a Maelstrom

The #10 Jitney Is in the centre of a maelstrom of unnamable things, only the former
predominately green color has changed into a multicolored viscera
(to be continued)
(continue)

CUT TO:

INT ? OUTERWORLD ? Jitney #10 ? Outside Conditions Ghostly


The Passenger/Visitor who had just thrown up, watches in horror as the vomit he?s produced,
vanish like mist into the air above them. The Jitney though clearly somewhere else, still feels
as if it?s moving in a circle. There?re those that are praying, and others who are defecating.

CUT TO:

Thetis above the Security Officer, sucking the viscera from his abdomen, ignores the Officer?s
Gurgles and Gasp; he pleads and screams. Thetis pulls away, her mouth filled with a bit of small
Intestinal tubes, and mangled gore of all sorts, suddenly slithers her eyes in a grimace of pain.
She tries to stand up and away from the Black large Security Officer who is covered in viscera and
gore, blood and sweat, saliva and bile; his mouth ajar in a terrible Gurgle shrill, his eyes wide in terror.

Thetis
(Screaming in Pain, and what could only be shock or horror)
?WHAT IS THIS??
(A woman sitting not too far, and the lady next to her is sprayed with viscera)
?THEY?RE MINE, I EARNED THEM FAIR AND SQUARE, I EARNED THEM!?
(to be continued)
(continue)

CUT TO:

Thetis loses her new form, and is once more in her human female shape.

CUT TO:

EXT ? OUTERWORLD/Cable Beach Roundabout ? The Maelstrom/FOG ? Day?ish

The Maelstrom is giving way to the ghostly fog; with its many shapes and no ethereal forms,
the shriek of the Jitney is slowly being replaced by the ENGINE?S ROAR. We can almost see
The Big Rig Trailer and other signs of life at Cable Beach?s Roundabout.

CUT TO:

EXT ? Cable Beach Roundabout ? Scene of a Grisly Accident ? Day/Amidst a tornado

It?s been several moments since the Mercedes guy called for police, and a few more than
that since the guy from Car B called in to report the incident. Since they both called, two
units were sent, and by chance an Ambulance was summoned as well. Regardless of the
police who arrived, or the Ambulance that also came, nothing could have been done
for Mercedes guy or the driver of the truck who had rotted into a pile of human gore
goop.
(to be continued)
(continue)

The Officer?s who arrived, were aghast at what they were seeing, and one of the Ambulance Drivers
fainted, the other picked up his partner, and quickly left, swearing he?d send someone else.
After the information concerning the Accident was shared, several emergency responders were on
their way, but observers couldn?t do much due to the suspicious windstorm, or the circling cloud
of fog or mist that kept passing around them. The skies looked almost clear, other than the wind
storm that suspiciously sat on the Roundabout, until, one of the police ventured to close to the rotating
cloud, and as it passed over him, he collapsed onto the pavement, convulsing, and as an ambulance
arrived not a moment too soon, Something Could be Seen Emerging From the Circling Fog.

CUT TO:

INT ? Jitney # 10? Outside Conditions Almost Normal/Day?ish

The Passenger/Visitor looks at her Husband, and both of them looks hopeful, they?re looking at the
other passengers, and those that notices the change, also shares the looks of hope. The Visitor
in elation cries out with joy, her husband weeping next to her with joy.

Passenger/Visitor/Wife
?It?s almost over, by God, it?s nearly done, and we?re free, free!?

Another passenger, a guy jumps up pointing to the former creature Thetis up front,

(to be continued)
(continue)

Passenger/Bahamian
?You try to take God people to hell you biatch, but Prayers stronger than Pussavy bey!?

Other Passengers join in, clapping, seemingly forgetting that a moment ago, they were else where
and this woman was once something else, eating away at a much larger man?s gut.

CUT TO:

Thetis turns away, in silence and is looking out the front of the Jitney, she then suddenly falls to her
Knees and holds onto the metal column near the door, as the world through the windows, melts into

CUT TO:

EXT ? Cable Beach Roundabout ? Day

The Wind storm is dying down, any remaining bits of Fog is dissipating; all that remains is one large
cloud continuing its orbit around the Roundabout, until, the Fog dissipates a bit more, revealing the
front of a jitney approaching the scene of the accident and the many emergency responders.
The officer who had passed through the cloud Is now on a stretcher, and he?s being loaded into an
Ambulance that?s about to be hit in the rear by the oncoming front of the Jitney, someone cries out.
The Jitney is coming on fast, what?s left of the fog is still assailing the Jitney?s sides.

(to be continued)
(continue)

INT ? Jitney # 10 ? Condition is between worlds

Everyone on board starts laughing with happiness, Until, they notice the Emergency Service Vehicle
Seemingly approaching them rather quickly, even though The Visitor and his Wife, knew immediately
It was them approaching it; they?d lost none of their momentum, The Visitor?s Wife Screams

CUT TO:

Thetis looks back towards the passengers with the look of fear and abstract hatred, She looks down
at the man she had chosen to consume first, and his eyes looked up at her with puzzlement and fear,
he was dying, or almost dead, Thetis didn?t know which condition he was suffering, and cared little
she did; all of her powers were seemingly go ne, and for the first time in her existence, she was naked
to Fate and the forces that plagued the lives of mortals daily. Had she broken some unknown rule?
She couldn?t have, she?d spent centuries carefully planning who were to be on this bus, and how
their flesh and imperative potentiality of existence would be bound to her sentience, making
her a true Deus Ex Machina, and a true master of the Machines of Fate, rather than a cog, like
how she had been all her life.

CUT TO
INT ? Jitney #10 ? Bullet Time/Thetis? Mind?s Eye

The Jitney is getting closer and it?s a tenth of a second before the Bus strikes the rear of the EMS
(to be continued)
(continue)

vehicle, Thetis touches the wound she imposed upon the Security Guard, and she thanks
the Fates that she could still see someone?s history, and then she notices The Security Officer?s
History being altered, events changes and we see new histories, mainly timeless histories among these,
Learning about Thetis; a moment before his computer screen had porn, and a blip later, and it?s all of
Thetis? history, including the would be victims? history who resides presently on the Jitney, Thetis sees
this, and is so shocked she pulls away just as the Jitney collides.

CUT TO:

Everyone on the Jitney colliding in bullet time, being tossed about, all of them at once launching forward

CUT TO:

EXT ? Cable Beach Roundabout ? Scene of the Accident

The front of the Jitney collides with the EMS vehicle just as the Police Officer?s Gurney is placed inside,
the EMS worker who quickly closes the door is immediately crushed, and there is an explosion of air,
that knocks everyone down. As people finds their feet, only the front of the Jitney can be seen, the
rest of it is gone,

EXT/INT ? Cable Beach Roundabout ? Jitney # 10 front of Bus

(to be continued)

(continue)

As curious onlookers make their way pass police caution tape, they?re exposed to a curious scene
of a Jitney?s front only, with three passengers, two unconscious, and another with his guts torn out.
The woman, a white lady, is covered in blood, and she has bits of blood and gore in her mouth,
another man has his eyes open, but he?s unresponsive. An EMS responder has been crushed, and
a police officer is in the damaged EMS vehicle, with bits of his flesh rotting off. A driver of a Grey
Mercedes has been pulverized beneath the wheels of a Big Rig Trailer, and the driver looks as if he
has been dead for many days, as bits of his rotting goop, pours from the open truck door, the hinges
and the rest of it looks rusted and old, even though the truck is only a few months old.

(Prologue Ends)

[Expletive]

part two to the above, i guess, it's not finished, and it probably only will after your wife, or mom sends me their knickers.

GUNMAN

BY ExpletiveBMP aka JDB


EXT ? EAST WEST Highway Carriage Way ? Night

Three cars approaches shell gas station, and enters the station to get gas, with four occupants,
all drivers for each vehicle exits. They?re dressed differently; one is wearing a Suit, the other
shorts, sandals and T ? shirt, and the Last has a female passenger, he?s driving a sports car, and
he?s wearing a Lakers Jersey with jeans and flip flops.

CUT TO:

INT ? Shell Gas Station East West Highway ? Night

The Three Drivers all go to the Cashier to pay for their fuel, before them and behind them are other
customers, and to the casual observer there are no relations between the three.

CUT TO:

EX ? Shell Gas Station East West Highway ? Night

(to be continued)

(continue)

One of the cars driven by one of the drivers has some one in the trunk, as the attendant puts gas in
the car with the person, he could feel the motion, and hear noises from the trunk, but, he does
nothing and continue to put the fuel in the vehicle. The owner of the vehicle, emerges from the
station.

CUT TO:

The owner of the car with the trunk passenger, the guy in the coat suit, emerges. He?s well
shaven, and has a cross around his neck. To a casual observer, he looks like a church goer,
even though, he?s anything but. The cars of his cohorts have the attendants wiping the glass.
The guy who did his car, has already moved on, and not cleaned the glass. This gives suit
guy pause. But he says nothing, enters his car and leaves. The other guys each with bags
emerges, and one heads down Sir Milo Butler Highway, the other with the female passenger
heads further west along Harold Road.

CUT TO:

INT ? Back Trunk of Suit Guy ? Night

The innards of Suit Guy?s trunk Is near pitch black, other than the back reflect from the Tail
Lights. We see someone clearly bound, and they have a bit of tubing taped into their mouth.
Their eyes is wide with terror, and they?re crying

(to be continued)
(continue)

CUT TO:

EXT ? Sir Milo Butler Highway ? Suit Guy?s Car ? Night

We?re watching Suit Guy, as if we?re a passenger in an adjacent vehicle, and we?re
seeing him from his driver?s side. He?s singing gospel tunes, and the song, ?City
Of Gold? is playing, and he?s signing along.

CUT TO:

INT ? Suit Guy?s Car ? Night

Suit Guy is still singing along, his bible is open, and its innards has a powerful handgun, as Suit
Guy sings he taps his gun.

CUT TO:

EXT ? Cable Beach Dual Carriage Way ? Night

Laker?s Jersey Guy and His Female Passenger is heading Further West, the young lady has
Her Legs up on the dash board, the guy is talking to her, music blaring, it?s Vybes Kartel
And Marital ?My Money Money?, he has a cigar in his mouth, and she?s smoking a cigarette.
(to be continued)
(continued)

CUT TO:

EXT ? Sir Milo Butler Highway ? Guy in shorts and T-shirt

Guy in Shorts is Blaring Kardinal Offishal?s ?Nina? as he eats a chocolate bar. He?s also singing
along to the song, a police car passes him.

CUT TO:

INT ? Suit Guy?s Trunk ? Night

The Occupant of the trunk is shaking about; we can make them out as much as we did earlier,
as the vehicle comes to A STOP. We hear them noticeably moan loudly. Gospel music can be
heard. As we

CUT TO:

EXT ? Some Where Out West ? Night

Suit Guy, Marcus Dames, is outside his vehicle and is singing and clapping to gospel, his cross glistening
In the moon light, his bible in hand, as a Car approaches with its headlights off. He turns to it,
as if he knows the engine well enough. He holds his bible high, and gives a spirited performance.

(to be continued)
(continue)

CUT TO:

INT ? Sports Car of Jersey Shirt Guy ? Night

Jersey Shirt Guy, Harold Joseph, with Cigar in mouth, giggles lady like when he sees Marcus? spirited
performance. Daphne Hues , the passenger, reaches over and pulls on Harold?s genitalia.

Harold Joseph
(giggling a bit too lively)
?Stop it girl, you so fool eh, keep that up and you?ll be in trouble.?

Daphne Hues, does it again, and Harold does the Pillsbury dough boy giggle.

CUT TO:

EXT ? Some Where Out West ? Night

T- Shirt Guy arrives, his lights is on, the head lights hits Marcus Dames causing him to stop his spirited
jig.

CUT TO:

(to be continued)
(continue)

Marcus Dames jumps into the shadows, twirling about like a mad man shouting mock praises; his
performance even more spirited. Twirling and pretending to be under the spirit, Marcus Dames
the thespian, and natural sadist, born without the ideological main that controls all of us, twirls.
Emerging from the Shadows Marcus Dames points at the offending vehicle, dropping his bible to the
ground, he with the air of a performer, spouts dramatically

Marcus Dames
?Get behind me Satan!?
(Then lacking his accented thespian air)
?I mean now *****, ?ass outta ya car,? We got us a ***** to torture!?

Marcus Dames takes off his coat, revealing a leather vest filled with blades and pliers, and pin
nosed hammers. They?re knitting pins, and alcohol, and a hack saw blade and razors, tampons,
and band aids, gauze and rubbing alcohol. Then approaching the car with Daphne and Harold


CUT TO:

EXT ? Some Where Out West ? Just outside Harold?s Driver?s side ? Night

Marcus lowers himself, placing his arms on Daphne?s side of the window, We can see him through
Harold?s side of the car, and Daphne is looking up at him, and Harold is looking his way grinning.
(to be continued)
(continue)

Marcus Dames
?Don?t be smiling wit me you The Gays, you?re supposed to be F****ING.?

CUT TO:

INT ? Sports Car ? Night

Harold Joseph has a broad grin on his face, and Daphne Hues rolls her eyes sheepishly. Both of them
are gay, but why they?re here to have sex, isn?t immediately clear. Daphne Hues removes her letter
from the glove compartment and hands another letter that?s addressed to ?Laker?s Jersey Guy?to
Harold. Daphne opens the letter, and after reading it over, she hands Harold her copy, who gives her
his.

Daphne Hues
?Whose to say we haven?t had sex already??

Harold Joseph and Daphne Hues smiles up at their boss Marcus Dames; in any other setting they?d all
look like long time friends; regular people, meeting for a casual chat---they may be friendly,
but each of them are as comely as vipers, and their temperament, equally as vile.

CUT TO:

(to be continued)
(continue)

EXT ? Somewhere Out West ? Just outside Harold?s Driver side ? Night

Marcus Dames? smile broadens then ceases.

Marcus Dames
?The guy?s whose paying you two 3 grand each says you haven?t, you also agreed to not use condoms.?
(His smiles returns)
?So have at it Daphne, or would you like for me to warm you up first??

CUT TO:

INT ? Sports Car ? Night

Harold Joseph
(looking mischievous)
?Could you warm me up please boss??

Daphne?s eyes become slits as if she?s holding in an explosive fart.

CUT TO:

EXT ? Some Where Out West ? Just Outside?s Harold?s Driver?s side ? Night
(to be continued)
(continue)

Marcus Dames
(his smile has melted into a grimace)
?F*** You F*****!?

CUT TO:

INT ? Sports Car ? Night

Daphne Erupts in Laughter, and Harold sticks out his tongue at his boss, then turning away from her
boss, Daphne cover?s Harold?s mouth with hers.

CUT TO:

EXT ? Somewhere Out West ? Night

Marcus Dames pushes away from the Sports Car, as the occupants starts shaking the vehicle doing
whatever, Marcus has a look of disgust on his face, as Stevie Cobb, T ? shirt Guy approaches,
in his short pants. He?s looking at the commotion in the car, and sees his boss walking away from it.

Marcus Dames
?F***ING F*****S!? (turning away from Stevie Cobb, and signaling him to follow) ?Let?s Go Stevie!?

(to be continued)
(continue)

CUT TO:

INT ? Marcus Dames? car trunk ? Night

Our victim sweating profusely can be seen due to the light filtering through the car trunk, from
Stevie Cobb?s car, and just then, the trunk opens and our victims shrills through the tubing in HER
mouth.

CUT TO:


EXT ? Some Where Out West ? Night

Marcus Dames and Stevie Cobb look down at our victim menacingly, as her shrills can be heard,
and with that she breaks wind. Both men smiles broadly.

Marcus Dames
?Did she just fart boss??

CUT TO:

INT/EXT ? Somewhere Out West ? Marcus Dames? car trunk ? Night
(to be continued)
(continue)

Thetis nymph of the sea looks at her captors with a look of absolute terror. Almost a year to the
day ago, Thetis using her reality bending abilities, sought to feed upon humans that would graduate
her essence from a cog of fate, to an actual Deus Ex Machina. But, unknowingly she broke a hidden
clause, and as a result, failed. She was taken to Doctor?s Hospital to recover after her accident at
Cable Beach?s Roundabout. Whilst there, feigning a coma, she sought to use the last of her reality
bending abilities and change her form and relative existence. Her victim, Stacy Wilson from
Connecticut, was visiting Nassau, but, she was injured due to a windstorm on West Bay Street.
Thetis, with the last visage of her strength, created a pocket of time, just long enough for her
to fall upon Stacy Wilson, paralyzing her, and then systematically eating her skin and underlying
flesh; her powers didn?t have enough time to reconstitute itself, and due to her mimicry attempt,
ALL VISAGES Of SELF VANISHED. Her cog abilities tied into an objects? fate, allowed her to see and know
intimately all moments and secrets of Stacy Wilson, but, once her memories were gone, foR all intents
and purposes, she became Stacy Wilson. The pocket of time closed, sealing the slowly dying
American girl in a forever lost pocket of space time, in a state of gradual death, and infinite agony due
to the skin and flesh ripped from her body; paralyzed unable to scream, forever aware, forever
suffering. Thetis/Stacy Wilson is oblivious of her true nature, and returns a year later to Nassau.

THETIS/ STACY WILSON is in agony, and to anyone else, seeing her in such misery, would move them
to allow her whatever grace necessary to quell her suffering. Anyone else who wasn?t sociopathic,
or anyone who wasn?t Marcus Dames and Stevie Cobb. As she?s looking up, we see her eyes clearly due
to Stevie car?s headlights. Her eyes are blood shot, and her face is covered with tears and sweat, her
nose is running profusely with snot, and she?s blowing bubbles of saliva through the hose in her mouth.
(to be continued)
(continue)

Out Of Shot, we hear Marcus Dames? voice, as we keep Stacy Wilson in view.

Marcus Dames
(out of shot)
?Yes she has, and we haven?t broken or stabbed anything yet. She?s gonna poop soon.?

CUT TO:

EXT ? Somewhere out West ? Night

TWO SHOT of Stevie Cobb addressing Marcus Dames; they have the Grinch?s grin.

Stevie Cobb
?Damn, den what, she gon piss eh??

CUT TO:

MEDIUM SHOT of Marcus Dames

Marcus Dames
?You ain?t smell that, she piss already bey.?

(to be continued)
(continue)

CUT TO:

MEDIUM SHOT of Stevie Cobb, lifting his eyebrows a bit.

Stevie Cobb
?What, already, aawwww boy dis gon be fun!?

CUT TO:

TWO SHOT of Marcus Dames and Stevie Cobb turning to face their query in the Car?s trunk.

CUT TO

INT/EXT ? Somewhere out West ? Marcus Dames? Car Trunk - Night

CLOSE UP of Stacy Wilson looking even more petrified, eyes darting between the two men, as she
shrills and shrieks even louder through the tubing as we

CUT TO

EXT ? Somewhere out West ? Night
to be continued)
(continue)

TWO SHOT of Marcus Dames and Stevie Cobb looking down at Stacy, her shrieks
are even more pronounced OUT OF SHOT as they reach out to grab her, HER
SHRILL ECHOES as our SCREEN

GOES BLACK:

FROM THE BLACK WE HEAR---
Marcus Dames ( V.O. )
?Hold her F***ING Down Bey!?

There are sounds of a struggle, rustling of clothing, shoveling of dirt with feet, and of course

Stacy Wilson ( V.O. )
(Stacy is screaming through THE TUBE IN HER MOUTH, especially when we hear a ?Guk? sound)

Stevie Cobb ( V.O. )
?SHE FIGHTING ME YA Kno? MU BEY!?

Marcus Dames ( V.O. )
?Of course she gon fight bey, ?cause I hitting her shin bone wit mu pin hammer, now hold this skank!?

We hear Stacy Wilson shrill again, and Then we hear a ?bump? sound and Marcus cry out
(to be continued)
(continue)

Stevie Cobb ( V.O. )
?See, she kick you in your face, bey, I can?t hold her upper body and her legs!?

Marcus Dames ( V.O. )
?Hold this F***ING B****?S legs bey! I GON STOP HER $#!+ RIGHT F***ING NAW!?

We then HEAR a ?WUBUP? sound then we hear the sound of Stacy?s shrill changing as if a car is
Changing its gear.

Marcus Dames ( V.O. )
?YOU WAN (WUBUP!) PLAY WIT SERIOUS (WUBUP!) MAN (WUBUP!)? Take Blow (WUBUP!),
Take Blow (WUBUP!)!?

FADE IN:

EXT ? Somewhere Out West ? Night

THREE SHOT Marcus Dames is over Stacy Wilson?s mid section, pounding her face into the ground, while
Stevie Cobb is holding her legs, intentionally shoving his face into her groin area. Each Time
We Hear, YA BIATCH, Marcus Dames punches her again.


(To be continued)
(continue)

Marcus Dames
?Ya Biatch! Ya BiaTch! Ya BiaTch!?

CUT TO:

An ANGLE SHOT of Marcus Dame standing over Stacy Wilson, looking down aT her.

Marcus Dames
?See what ya made mE do, now ya pretty face all F***ED UP!?

Stacy?s face is a mess; her nose is clearly broken, and her face is bleeding profusely.

[Expletive]

CUT TO:

Stacy?s Point Of View as she looks up at Marcus Dames, WE HEAR HER wheezing and gurgling
then she passes out, and as she does, our vision does as well.

FADE IN:

EXT ? Somewhere Out West ? Night

Marcus Dames taps on the Sports Car rolled up window, on the passenger side.

(to be continued)
(continue)

Marcus Dames
?Roll down this F***ING wndow man!?

Daphne puts down her window, and Marcus Dames peers in, this time, he doesn?t bend down,
as he did before, but he stands outside looking Into the vehicle, hE looks irritated.

Marcus Dames
?Ya?ll getting paid a lot of money to do one simple thing, how come ya?ll ain?t start yet??

CUT TO:

INT ? Sports Car ? Night

Daphne is in her bra, but she?s wearing her jeans still, and Harold Joseph is still fully dressed, much
to Marcus Dames? chagrin.

Daphne Hues
?Boss it ain?t my fault see, cause gay or straight a Vagina?s always open, now you know dat.?

Harold looks uncomfortable and shrugs his shoulders.

CUT TO:

(to be continued)
(continue)

EXT ? Somewhere Out West ? Night

Marcus Dames isn?t amused, and rubbing his bruised and bleeding fist with his gun hand, he
slows the speed common with the Bahamian Vernecular, and steadily adopts the Queen?s
English, with its Pear Shaped Tones.

Marcus Dames
?A year ago, I was a small time hood, that is, until I was approached by a man who wasn?t there,
a man no one else could see except for me. And this man, who only exist to those he communicates
with, handed me an envelope filled with dozens of hundred dollar bills. He then told me that from then
on, I was to work only for him, and that, I had to bring in a group of people whose names and addresses
he would provide me with. One of those people was Stevie Cobb, and the other two were a gay man
and woman. Of whom, were to do business for him and within a year, finish off their responsibilities
by having sex here, on this night. You see, I decided to give you two a chance, and after a long time
of arguing with my boss, I convinced him to bring in you two, but then he told me, that you lot would
fail, and in extension, I would fail, and that he would fail. But of course, I foolishly asserted otherwise.?

CUT TO:

INT ? Sports Car ? Night

Harold Joseph has a smart @$$ look as if someone passed gas and he knows who did it.

(to be continued)
(continue)

Harold Joseph
?Seriously boss, ?A man who wasn?t there?? That doesn?t sound Crazy at all.?

Daphne Hues
?I?m sorry we?re mucking up your plans boss, and I promise I?ll try harder, but what you said just
now made NO sense.?

Marcus DamEs Bends down rEstIng his forearms ON Daphne?s passenger Door.

CUT TO:

EXT ? Somewhere Out West ? Harold Joseph?s Driver?s Side - Night

We?re looking through Harold?s DriveR?s door, at BoTh he and Daphne, and a clearly exhausted
MaRcus Dames.

MaRcus DamEs
?It doesn?T matter what you believe because I have a gun, of which, to kill you with. Don?t interrupt,
just listen. The two of you know me well enough to know I don?t Say what I don?T mean. I gave you
all the Time in the world to pull out, yet the Two of you remained and swore you?d go through with it.
But, here we are, and you?re reneging on our deal. Tell you what, come out for a bit, and watch me
and Stevie do as we?re told, and maybe, just maybe, you?ll be inspired enough to do what you agreed to
(To bE continued)
(continue)
othErwise, let me know so I can kill the two of you right here, right now.

I Kno right, TL;DR.

I'm pushing myself to develop an art, or a means of getting out of this rut of failure and lost dreams.

Another part to what I've already written, and yes, it was tedious to get this far, but it isn't so much about the subject matter, inasmuch about it being a quick fix, or a means for me to develop consistency and finish what I start. But yes, this story is a bit much, so if you're sheepish...
Writing programs and coding is among the hardest things to do, and according to the experiences of many programmers, the hardest part is to finish what you start. Therefore, I'm forcing myself to finish writing complex stories (one story a week), until writing scripts, stories and or syntax is as easy as drinking water.

Daphne and Harold says nothing, and pops open their doors.

CUT TO:

EXT ? Somewhere Out West ? Night

ANGLE SHOT of Stevie Cobb holding a bound Stacy Wilson on her side, as saliva and blood pours from
the hose in her mouth onto the ground. Stevie Cobb Car?s headlights cast the approaching shadows
of Marcus, Daphne and Harold onto him and an unconscious Stacy Wilson.

CUT TO:

THREE SHOT of Marcus Dames in the middle of Harold and Daphne.

Marcus Dames
?So how we looking Stevie, sleeping beauty still out eh??

CUT TO:

MEDIUM SHOT of Stevie Cobb still attending to Stacy Wilson

(to be continued)
(continue)

Stevie Cobb
?She?s coming along nicely boss, her breathing is getting stronger so she?ll be waking up soon. But to
be honest boss, I?ve never seen anything like it; those blows of yours should have cracked her skull but
from what I could tell, her skull?s still intact, and her broken nose which I set isn?t swelling that much.
Your employer was right, this biatch is tougher than she looks.?

CUT TO:

MEDIUM SHOT of Stacy Wilson, she?s looking fairly well for someone who got struck in the face
repeatedly. Her blackened eyes slowly open, still blood shot, and unwittingly, Stacy Wilson moans.

CUT TO:

THREE SHOT of Daphne Marcus and Harold, looking down, Daphne and Harold looks intrigued but
Marcus smiles broadly.

Marcus Dames
?Okay Harold Daphne get your *** out of the light, Stevie let?s get this over with, and young lady
you?re all tied up now, so just lay there and $#!+ yourself cause the kid gloves is coming off.?

Harold runs around Marcus and grabs Daphne, and moves into the shadows; like children they
are, awaiting fireworks.
(to be continued)
(continue)

ANGLE SHOT of Marcus approaching Stevie and the already struggling Stacy Wilson. Daphne and
Harold are but feet away well out of The Car?s Headlights, both of Them, giddy like school children.

CUT TO:

THREE SHOT of Stacy, Marcus and Stevie; who before getting to his feet tears away Stacy?s underwear.
Stacy Wilson cries out, impressively loud, even with the tube in her mouth. She has begun again her
chorus of shrills shrieking and crying. Marcus watches Stevie shoving her panties into his pocket, Marcus
cackles, while withdrawing the tampon from his vest. Removing its sheath he licks the smooth surface,
then, also from his vest, Marcus removes a small tube of icy hot, and applies it liberally to the surface,
finally tossing it to Stevie. Stevie again falls to his knees and grabs Stacy by the legs, who noticing
the exchange struggles frantically. Marcus Dames drops also to his knees and holds her down, and has
to apply almost all his strength even though the much smaller young woman is bound near perfect with
yards of Duck tape. Stevie Cobb at this point is ?on vacation? and has the look of an addict about to
attain the strongest fix he?s Ever Had

CUT TO:

TWO SHOT of Daphne Hues and Harold Joseph, their arms are intertwined, and Harold is to Daphne's
left, and she to his right; Harold is hiding his mouth with his left hand, and has a "O No you didn't look"
drawn on his face, as he deduces what Stevie Cobb is about to do to Stacy Wilson?s hidden affair.

(to be continued)
(continue)

Stacy Wilson can be heard crying out ?NO?, or what could be interrupted as a No since there is piece of
TUBING in her mouth, and then, simultaneously, Daphne makes an ?O? face, and in unison, Harold
Joseph drops his hand from his mouth, unwittingly imitating Daphne?s ?O? facial features. Like OUR
Analogy of a CAR CHANGING GEAR earlier, by HEARING the tone change in Stacy Wilson?s Cry, we can
gather exactly what violation is occurring.

CUT TO:

MEDIUM SHOT of Marcus Dames who isn?t paying much attention to the struggle of Stacy and Stevie,
or the reactions of Daphne and Harold, but is busily going through his various methods of torture and
inflictions. Cheerily observing a needle nose pliers, he looks towards the suffering young American,
and shakes his head in the negative, and quickly picks up another object; a rather thin hex screw
driver. Nodding to himself, he removes a small canister from his vest, and from its end, ignites a
flame, immediately, he starts to heat the end of the hex screwdriver. We start to hear another voice
along with the victims cries of agony, Daphne Hues speaks to Marcus, we hear her voice, but we don?t
see her just yet. As Daphne speaks, Marcus glances her way periodically as he heats up the metal.

Daphne Hues (Out of Shot)
?Hey Boss, could we help ya?ll??

CUT TO:

GROUP SHOT of Stevie doing something vigorously to Stacy, and we only see her knees rise up,
(to be continued)
(continue)

as she struggles to stop him or break free or both, even though Stevie?s struggling, he?s clearly enjoying
himself as he begins to sweat profusely. Daphne?s the one talking and next to her is a curious Harold
who is intently observing Stevie at work. Daphne looks rather bemused, and speaks to Marcus as
nonchalant as a student might do in a classroom.

Daphne Hues
?Can Harold and I help I said, cause I really don?t want to disappoint you Boss, and maybe by helping you
we can help ourselves get hot and ready for the big sex act we?re getting paid 3 grand for. ?

CUT TO:

MEDIUM SHOT of Marcus Dames who inhales the fumes from the metal being heated, and slowly blows
It out, looking thoughtfully at Daphne, and then his eyes move away from her to something else, WE
DON?T HAVE TO CUT FROM HIM, but, what Marcus Dames sees, is an excited Stevie getting sexual
gratification from violating Stacy Wilson?s virtue, and a excited Harold Joseph watching Stevie?s
excitement. EVEN THOUGH WE DON?T HAVE TO CUT TO IT, Marcus Dames also sees Daphne?s eyes
darting at Stacy Wilson, with Stacy?s dress all torn up, and bundled just above her belly button, her
naval and genitalia exposed, AT LEAST TO DAPHNE, and not necessarily to our camera, and Stacy?s
belly covered in sweat. Marcus noting the excitement of Daphne and Harold, and realizing that
by allowing both of them to take part in the torture, he?d be allowing them the raise necessary for
his contract with his boss to be fulfilled. It was a win-win, Marcus? cool smile returns.

(to be continued)
(continue)

Marcus Dames
?Why yes Daphne, as a matter of a fact, we?re behind time, therefore, I insist ya?ll help.?